As ever, I am probably the last to the party on this one – but – this is my LANDR Review (with audio). Now then, I often make out that I am some sort of audio-file; I really am not that much of an audiophile. However, I do like it when my radio shows sound good. So, I have subscribed to the online Mastering Studio, LANDR. But, what are my first impressions?
The User-Interface is good; very intuitive and clean with crisp fonts and graphics. I like their look. The site is easy to navigate and you soon find out where you are and what you are doing.
I decided to test it with one of my radio shows. The edition I tested LANDR with was an, as yet, un-broadcast version of the Guerrilla Dub System’s Radio Show – a dub and roots show in which I just play records and with no talking. Here, below, is the version run through LANDR.
After the initial (slow) upload of 990MB – LANDR presented me with three versions of the mix to chose from. The option was to then download one of the versions as a High Quality MP3. I chose the version with the ‘High Intensity’ mastering – it seemed to fit with what I was hoping to achieve. However, I will let you be the judge of whether you think the mastering worked. Level-wise, the mix was all over the place originally – there was a lot of contrast between the volume levels of the tracks – do you think the mastering has made it better? I do. If you want to chip in with your two-pence worth then feel free to leave a comment in the box at the bottom of this post.
As readers of this blog know, I have a few irons in the musical fire and I intend to use LANDR for the benefit of those projects. I reckon I will roll out the use of my account to a few mates too – in exchange for beer. It seems I will be using the app for all of my radio shows.
However, if I was to gripe about one thing it is that there is only the option for ‘Low’, ‘Medium’ & ‘High’ mastering – it seems like one big normalise switch. However, if taking the dynamic range out of your recording is what you want to do then this is for you.
You will have to choose your own side in the loudness war – the options are simple and concise with few variables – it is kind of like the speak-and-spell version of mastering. But, that is the level I operate on. The idea is to get the components of the tracks (yes, I will be using it for music too) sorted – then – we will be cooking on gas.